Victorian terrace living room in the UK with walls painted a pale, balanced light grey, a white bay window with shutters, a cast-iron fireplace, alcove bookshelves and an oatmeal linen sofa
Interior Decorating

Farrow and Ball Ammonite: Light Grey Guide for UK Homes

Try it on your room

Farrow and Ball Ammonite No. 274: what colour it really is, the Wevet white, Cornforth White and Purbeck Stone compared, north-facing rooms and prices.
5 min read

Farrow & Ball Ammonite No. 274 is a light, understated grey that the maker describes as "neither too warm nor too cool". It sits in the Relaxed Neutrals (Wevet, Ammonite, Cornforth White and Purbeck Stone, from lightest to strongest) and its complementary white is Wevet No. 273. On our lightness index, calculated from the swatch and not an official LRV, it scores about 67 out of 100, the same depth as Skimming Stone (warmer) and Dimpse (cooler). It is easiest in south-, east- and west-facing rooms; in a north-facing room it reads greyer, and Farrow & Ball's light guide advises against light, grey-based shades there. Estate Emulsion costs £61 for 2.5 litres and £103 for 5 litres; a 100 ml sample pot is £5.95.

Descriptions, pairings and prices come from the Farrow & Ball and Dulux UK websites, read on 29 October 2026. Farrow & Ball prints no light reflectance value (LRV): the lightness and undertone figures here are our own calculations from the published swatches.

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What colour is Farrow & Ball Ammonite?

Ammonite is named after the fossils found on the Dorset coast, Farrow & Ball's home county. Its colour page calls it a naturally understated grey with a hushed, calming feel for homes old and new, and suggests All White to bring out its light grey quality.

We converted the published swatch (#D8D6CF) to CIELAB, the colour space that measures red against green and yellow against blue. Ammonite's tint is tiny (a chroma of about 3.7, where a strong colour scores 50 or more), and what there is sits on the yellow side with a hair of green, nothing on the blue side. Hence a true light grey rather than a stony beige or a cold silver.

Does it look blue? Not on its own, but it takes on the light around it: in cool northern light or under cool white bulbs it looks flatter and cooler than the sample card, and in warm light it looks softer and slightly warmer (more on light below).

Ammonite in the Relaxed Neutrals family

Farrow & Ball sorts its neutrals into groups that share an undertone. Its Relaxed Neutrals page calls this one neither too grey nor too creamy, easy to live with in any architectural style and direction of light, and suggests two or three shades for walls, ceilings and floors, such as Purbeck Stone walls with Cornforth White and Ammonite accents.

ShadeHow Farrow & Ball describes itLightness indexYellow tint (b*)Complementary white
Wevet No. 273A delicate white with a hint of grey831.1Cornforth White
Ammonite No. 274A naturally understated grey, neither too warm nor too cool673.7Wevet
Cornforth White No. 228The mid tone of the group, between Ammonite and Purbeck Stone604.0Wevet
Purbeck Stone No. 275A clean, understated mid grey, the strongest of the group505.0Wevet
Worsted No. 284A rich mid grey between Purbeck Stone and Mole's Breath343.1Ammonite
Mole's Breath No. 276A moody grey, the most versatile of the stronger accents233.1Ammonite

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The lightness index is the relative luminance of the on-screen swatch, from 0 (black) to 100 (white): not an LRV, but it ranks colours in the right order. The yellow tint is the CIELAB b* value: 0 is neutral, and every grey here stays under 6.

Ammonite to Cornforth White is a small step (about 7 points), so together they give a barely-there, tone-on-tone look; for a contrast you can see across the room, pair Ammonite with Purbeck Stone (17 points) or Mole's Breath (44). Despite its name, Cornforth White is a grey, darker than Ammonite.

Ammonite vs Cornforth White, Skimming Stone, Dimpse and Pavilion Gray

The last column is the CIEDE2000 difference from Ammonite's swatch: around 1 is hard to tell apart, 2 to 3 visible side by side, above 5 clearly different.

ShadeFarrow & Ball group and descriptionLightness indexYellow tint (b*)Difference from Ammonite
Ammonite No. 274Relaxed Neutrals; balanced light grey673.70
Skimming Stone No. 241Contemporary Neutrals; a warm light grey676.22.3
Dimpse No. 277Architectural Neutrals; cool, subtle blue undertones661.02.5
Cornforth White No. 228Relaxed Neutrals; the group's mid tone604.02.7
Strong White No. 2001Contemporary Neutrals; a cool, grey-based white763.22.8
Pavilion Gray No. 242Architectural Neutrals; cool mid grey, subtle blue undertones533.35.1
Purbeck Stone No. 275Relaxed Neutrals; the group's strongest shade505.06.5

Ammonite or Cornforth White?

Same balanced character, but Cornforth White is about 7 points darker. Ammonite keeps a small or dim room light; Cornforth White gives more colour in a large, bright room where a pale grey can wash out. Farrow & Ball makes the same point about Lamp Room Gray, which it says looks surprisingly strong in smaller rooms but softens in larger, well-lit spaces.

Ammonite or Skimming Stone?

Same lightness, so the choice is warmth. Skimming Stone carries clearly more yellow (b* 6.2 against 3.7); Farrow & Ball calls it a warm light grey, and its guide to grey paint names it a clever choice for counteracting the cooler light of north-facing rooms. It belongs to the Contemporary Neutrals, with Strong White and Elephant's Breath: our warm greige paint colours guide covers that family.

Ammonite, Dimpse or Pavilion Gray?

Dimpse and Pavilion Gray belong to the cooler Architectural Neutrals: Farrow & Ball gives each subtle blue undertones, and Blackened, its coolest white, as complementary white. Dimpse matches Ammonite's depth with almost no yellow, so it looks crisper; Pavilion Gray is about 14 points deeper. Choose Ammonite for grey without blue, Dimpse for a cooler, more architectural look.

Which white goes with Ammonite?

The official answer is Wevet No. 273, named after an old Dorset word for a spider's web: a delicate white with a hint of grey that Farrow & Ball suggests for ceilings and woodwork alongside cooler greys. It sits about 16 points above Ammonite on our index, enough to frame the walls without the jump of a brilliant white.

For a fresher contrast the maker suggests All White No. 2005, which contains no pigment but white and so lacks the cold blue undertone of a brilliant white. The Ammonite page also shows three schemes:

  • Tonal and deeper: Ammonite walls, Purbeck Stone as the accent, Mole's Breath on the trim.
  • Soft and balanced: Ammonite walls, Strong White as the accent, Cornforth White on the trim.
  • Light and fresh: Ammonite walls, All White as the accent, Wevet on the trim.

Ammonite also works as the pale partner to a deep colour. Farrow & Ball lists it as the complementary white for Mole's Breath, Worsted, Stiffkey Blue (an inky navy it says works wonderfully against Ammonite) and Oval Room Blue, so it can go on the ceiling and woodwork of a room painted in one of them. Deep green suits it too: see our guide to colours that go with dark green.

Ammonite in British light: north, south, east and west

With a colour this neutral, the light does most of the work. Dulux's guide to the best shades for north, south, east or west-facing rooms and Farrow & Ball's guide on how light affects colour describe the four aspects the same way:

Room facesWhat the light doesHow Ammonite behavesIf it disappoints
NorthCool, weaker, brings out cooler tonesReads greyer and flatter; test it firstSkimming Stone for warmth at the same depth, or go dark
SouthStrong and clear all dayLight and soft; too little yellow to turn creamyCornforth White if it looks too pale
EastBright mornings, cooler eveningsFresh in the morning, greyer by eveningCheck the sample after dark under your own bulbs
WestCooler mornings, warm late afternoonsBalanced; Farrow & Ball shows it in a west-facing schemePurbeck Stone for more depth

North-facing rooms are the real test. Farrow & Ball says northern light brings out the cooler tones in a colour, so a lighter tone there should avoid a blue or grey base; it points to yellow-based colours (Yellow Ground, New White, White Tie) or to dark walls in Railings or Down Pipe. Dulux's advice on decorating a north-facing room calls that light blue-tinged and recommends warm neutrals. Ammonite is a light grey: the Relaxed Neutrals page says the group copes with any light, but in a dim north room it may look colder than you expect, so sample it beside Skimming Stone.

A British detail: in many terraced and semi-detached houses the front and back rooms face opposite ways, so a knocked-through living room shows Ammonite in two lights at once; sample both ends. Bulbs matter too: Farrow & Ball says halogen bulbs warm wall colours, cool white bulbs cool them and a neutral white bulb is truest, while Dulux warns that compact fluorescents wash out subtle neutrals.

British home office with a white casement window, radiator, oak desk and built-in bookshelves, its walls painted in Farrow & Ball Ammonite light grey
The same study with its navy and white walls repainted in Ammonite No. 274: desk, shelving and window are unchanged.

Room by room: where Ammonite works

Dulux colours closest to Ammonite (not official matches)

The closest Dulux colours on screen, by CIEDE2000 between the swatches on each maker's website. They are not official equivalents: compare sample pots side by side on your wall.

Farrow & BallClosest Dulux on screenDifferenceWhat changes
Ammonite No. 274Chalk Mark; Thimble Case and Gentle Moon show the same swatch1.3A touch darker and very slightly pinker
Cornforth White No. 228Pale Taupe0.7Almost identical on screen
Purbeck Stone No. 275Pebble Sea1.8Noticeably more yellow
Wevet No. 273Sloe Flower; then Nordic Bliss0.7; 0.9Sloe Flower a hair darker; Nordic Bliss a touch warmer

Dulux files Chalk Mark and Thimble Case as Cool Neutrals but Gentle Moon, with the same swatch, as a White: this depth sits on the border between off-white and light grey, which is why Ammonite can look almost white in a sunny room.

On LRV: in Dulux's colour notation system, the middle number of a Trade code is the light reflectance value. Dulux Trade 30YY 68/024, whose code gives an LRV of about 68, shows the same swatch as Chalk Mark, and our index gives that swatch 66: Ammonite, at 67, sits in the same band. That checks our method; it is not Ammonite's LRV, which Farrow & Ball does not publish.

For ranges, finishes and prices side by side, see our Dulux Heritage vs Farrow & Ball comparison.

Ammonite finishes, prices and quantities

Specifications from each finish page; prices as shown for Ammonite on 29 October 2026.

FinishUse and characterSheenCoverageAmmonite price
Estate EmulsionWalls and ceilings in low-traffic rooms; chalky, wipeable but not washable2%Up to 14 m²/L2.5 L £61; 5 L £103
Modern EmulsionWalls and ceilings; washable, scuff-resistant, mould protected7%Up to 12 m²/L2.5 L £66; 5 L £111
Dead FlatWalls, woodwork and metal; washable, mould protected2%Up to 12 m²/L750 ml £34; 2.5 L £81; 5 L £132
Casein DistemperPlaster walls and ceilings; highly breathable, brush only2%Up to 13 m²/L2.5 L £82; 5 L £139
Soft DistemperInterior plasterwork; powdery, easy to remove, no recoat needed2%Up to 13 m²/L5 L £109
Modern EggshellSkirting, doors, kitchen cabinets, floors; washable40%Up to 12 m²/L750 ml £36.50; 2.5 L £88; 5 L £141

Ammonite also comes in Full Gloss (750 ml £35, 2.5 L £85), Flat Eggshell, Limewash and exterior finishes. Sheen changes how a colour looks, so sample in the finish you will use.

Worked example: a 4.0 m by 3.5 m living room with a 2.4 m ceiling has 36 m² of wall, about 32.6 m² after a door and a window, so 65 m² for two coats. That is about 4.7 litres of Estate Emulsion (one 5 litre tin, £103) or 5.4 litres of Modern Emulsion (5 L plus 2.5 L, £177). Coverage figures are maximums on smooth, primed walls. For comparison, Dulux lists Dulux Matt at £27 for 2.5 litres and £45 for 5 litres (up to 14 m²/L), and Easycare Washable & Tough Matt at £33 and £56 (up to 13 m²/L). Hiring a decorator? See our UK interior decorator cost guide.

On solvents, interior matt wall and ceiling paints sold in the UK are capped at 30 grams of VOC per litre by the Volatile Organic Compounds in Paints, Varnishes and Vehicle Refinishing Products Regulations 2012. Farrow & Ball states that all its finishes are water based and rated A+ for indoor air quality.

How to test Ammonite before you commit

A 100 ml sample pot is £5.95, and the Ammonite page suggests sampling it with Cornforth White and Purbeck Stone to go darker, or with Strong White and Wevet to go lighter. A method for light greys:

  1. Compare undertones, not just depth: Ammonite (balanced), Skimming Stone (warmer) and Dimpse (cooler) share a lightness and show which way your room pulls.
  2. Paint two coats on card or lining paper, at least A3, with a white border so the old wall colour does not distort it.
  3. Move the samples around: beside the window, opposite it and in the darkest corner, in the morning, afternoon and after dark.
  4. Hold them against what stays: floor, sofa, worktop. A balanced grey beside orange pine or cream carpet can look cooler than it is.

Our guide on how to test paint colours before buying explains how to read a sample through the day.

Ammonite, Cornforth White or Skimming Stone?

Compare them on a photo of your own room before ordering pots: the tool repaints only the walls, so you judge each grey against your floor, furniture and daylight. More on the tool: interior paint visualiser for UK homes.

Compare light greys on my room

Sources and references

Frequently asked questions

What colour is Farrow and Ball Ammonite?
Ammonite No. 274 is a light, understated grey from Farrow & Ball's Relaxed Neutrals, which the maker describes as neither too warm nor too cool. It is named after the fossils found on the Dorset coast. Calculated from its swatch colour, it has a lightness of about 67 on a 0 to 100 scale and only a faint yellow tint, so it reads as a true light grey rather than a beige or a blue-grey.
Is Ammonite a warm or cool grey?
Farrow & Ball describes Ammonite as neither too warm nor too cool. Its swatch has a very small tint on the yellow side and none on the blue side, so it sits between the warmer Skimming Stone and the cooler Dimpse, which have the same lightness. In cool northern light or under cool white bulbs it can look cooler and greyer than on the sample card.
What white goes with Farrow and Ball Ammonite?
Farrow & Ball's complementary white for Ammonite is Wevet No. 273, a delicate white with a hint of grey. The maker also suggests All White No. 2005 to accent Ammonite's light grey feel, and its Ammonite page shows schemes with Strong White and Cornforth White, or with Purbeck Stone and Mole's Breath for a deeper, tonal look.
Is Ammonite lighter than Cornforth White?
Yes. Farrow & Ball places Cornforth White between Ammonite and Purbeck Stone in its Relaxed Neutrals, so Cornforth White is the darker of the two. Calculated from the swatches, Ammonite scores about 67 and Cornforth White about 60 on a 0 to 100 lightness scale. Both share the same balanced, neither warm nor cool character.
Does Ammonite work in a north-facing room?
It can, but test it first. Farrow & Ball's light guide says northern light brings out the cooler tones in a colour and advises avoiding lighter tones with a blue or grey base in north-facing rooms. Ammonite is a light grey, so it may look flatter and cooler there. Farrow & Ball suggests a warm light grey such as Skimming Stone to counteract cool northern light.
What is the LRV of Farrow and Ball Ammonite?
Farrow & Ball does not print an LRV on its Ammonite colour page. Calculated from the swatch colour on its website, Ammonite has a lightness of about 67 on a 0 to 100 scale, but that is not a measured LRV. As a cross-check, the Dulux Trade colour 30YY 68/024, whose code puts its LRV at about 68, has a very similar swatch. For a measured figure, ask Farrow & Ball.
Is there a Dulux equivalent of Ammonite?
There is no official equivalent. Comparing the swatches on the two makers' websites, the closest Dulux colour on screen is Chalk Mark, with Thimble Case and Gentle Moon showing the same swatch; it is a touch darker and very slightly pinker than Ammonite. Paint formulations differ, so compare sample pots side by side on your wall.

Trademarks mentioned (Sherwin-Williams, Benjamin Moore, Behr, Caparol, Brillux, Sto, Alpina, Valspar, PPG, Glidden, Dulux, Crown Trade, Sandtex, Farrow & Ball, Johnstone's, Leyland) are property of their respective owners. FacadeColorizer is independent and not affiliated with any of them. Nominative fair use under Lanham Act §1125.

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